Folk Tales :Tales of Hitopadesha :in Sindhi in phonetic roman script
Works by Chandiramani :Also on Google and Yahoo .
www.chandiramani.com
E mail : mrchandiramani@yahoo.com
1. Translated : Classic Panchatantra into English : Rupa publishing : India . 13 editions German :Eugen Diederichs: Germany sold 5OOO copies Indonesian along with Jyoti Daryanani (Dian Rakyat) Jakarta : Indonesia :printed 5OOO copies . Sale going on .
2. Translated Our Folklore: Tales of Panchatantra into English, German and Indonesian . Will be published in due course .
3. Translated Classic Hitopadesha into English ( Jaico).—6 editions .German and Indonesian versions under preparation
4. Translated Folklore : Tales of Hitopadesha into English German and Indonesian on www.chandiramani.com
5. Bridge to Indonesia: Booklet in English: www.chandiramani.com Indonesian section. Also on google
6. Sindhi language in Phonetic Roman Script: How to read and write Sindhi language in phonetic roman script . By Chandiramani , Poonam Malani and Kishor Lalwani . Visit Sindhi section : Literature www.chandiramani.com You will be able to read Sindhi in Roman script straightaway . For writing put the charts before you and start writing.
7. Ancient Sindhi sayings in phonetic roman script By Om Prakash Bhaktawani and Chandiramani
8. Dictionary of Indian Music :By Chandiramani 16 C.D’s having Bhajans,Ghazals,Classical,Vocal,Thumris Instrumental Music and Drums of India With special emphasis on 25 types of Rhythms of India. All these programmes have been put on internet : www.chandiramani.com which is being updated weekly .
9. Bhajans and Ghazals by Nirmala Aroon : The famous Thumri Singer of India Music : By Chandiramani & Bulo.C.Rani
1O. Sindhi : Section :Music :
a. Sindhi Folk music :
b. Sindhi Sangeet Vol I – II
c. Classic Sindhi Music
Singers : Kavita Krishnamurti , Kamla Jhangiani , Ghanshyam Vaswani,Mahesh Chandar ,Madhu Shehri and one rare song sung by legendry music director Bulo.C.Rani
Music : - Chandiramani and Bulo . C.Rani Chandiramani has also composed Sindhi music in 22 rhythms . 9.Ghazals and Bhajans by ::Nirmala Aroon: the legendary Thumri Singer of India
Music : Chandiramani – Bulo . C .Rani
www.chandiramani.com E mail : mrchandiramani@yahoo.com
Sindhi in Phonetic Roman script By Chandiramani
O8 .O8 .08
Visit : www.chandiramani.com
E mail address : mrchandiramani@yahoo.com
There are around 3, OOO, OOO Sindhis outside Sind , the majority still speaking colloquial Sindhi . Specially in Spain and Indonesia and of course in Sindhi pockets like Kalyan , Ajmer , etc etc
Lesser and lesser people are writing in Devnagiri script. With time, this number is dwindling. The only way is to give them a script.: Preferably roman script which they all know.
Who is going to teach these 3, OOO, OOO Sindhis Arabic or devnagiri. script. Otherwise these 3, OOO, OOO Sindhis will be lost to the mainstream for ever .
We have lost 6O years . Let us not lose more before it is too late.
Very recently I went to Dubai . I could talk freely to a worker from Larkana . We talked nearly for half an hour.
A month ago , I had a long chat with someone from the Soomo family .For 15 minutes we chatted and we had no problem in understanding each other. We must give more power to colloquial Sindhi by adaopting roman script . This will ensure that there is a link between the Sindhis all over the world. In India Konkani is written in 4 scripts . They all coexist. Why not 3 scripts for Sindhi?
11. CHARTS OF SINDHI IN PHONETIC ROMAN SCRIPT
FOR SINDHI LANGUAGE
stands for nasal sound You can straightaway start reading.
Study the following charts for fifteen minutes and you will be ready for writing
Alphabets and vowels in Arabic and Devnagari by Poonam Malani Charts of Phonetic roman script for the Sindhi Language
| VOWELS | ||
| cut | a | |
| garden | aa | >NASAL SOUND |
| bit | i | |
| meet | ee | |
| put | u | |
| boot | oo | |
| say | ay | |
| As | ai | |
| Boat | o |
FOLK TALES FROM TALES OF HITOPADESHA IN SINDHI IN PHONETIC ROMAN SCRIPT
NO. 1
Kaa>va, shikaareea ,kujh g/ayran ai > kooay jee aakhaar>ee
God/aavaree nad/eea jay kinaaray t/ay hiku shaahee pashama jo var>u ho.
Raat/ jay vakt/ pasgird/aaeea jaa pakhee hina var>a t/ay achee aaraam ka>d/aa huaa
Hika d/afay piraha fhuteea jo cha>du jad*ahi> ulha>d/ay jabalan puthhiyaa> lahee rahiyo ho t/a una vakt/ hiku kaa>u ni>da maa> uthiyo ai> hika shikaareea khay var>a d*aa>h ee>d/o d*ithhaaee>.
Hoo kaal d/ayvt/aa Yamaraaj vaa>gur piay lag/o.
Jad*ahi> kaa>va hunakhay d*ithho t/a hoo dij/ee viyo ai> d/il may> sochiyaaee> ‘ Heeu t/a maamlo d*aadhho gambheer tho lag/ay.Moo>khay t/a hina jee shikil ee nathee var>ay .’
Iho sochay hina shikaareea jee puthhi vart/ee.
Thoray vakt/a khaa> poi, shikaaree beehee rahiyo ai> chainee paasay d*isar> lag/o
Hina pahi>jee thayleeha maa> kuchhu chaa>va>ran jaa d/aar>aa kadhhiyaa, unhan khay zameena t/ay pakhir/iyaaee> ai> mathaa> j/aara vichhaa ay chhad*iyaaee>.
Ayt/ro karay hoo paar> var>a jay puthhiyaa> vaj*ee likee beethho.
Bas unhay vakt/ g/ayran jo raajaa pahi>jay saathiyun saa> gad*u khaadhay jay t/alaash may> aasmaan may> ud*aamee rahiyo ho.
Hina chaa>va>ran jaa d/aar>aa d*ithhaa t/a pahi> jay saathiyun khay chayaaee>,’ Kahir/ee na ajaba jee g/aalh aahay . Chaa>va>ran jaa d/aar>aa hina bayaabaan jha>gala may >!. D*isoo> t/a iho chhaa aahay ? Moo>khay t/a hina may> ka>hi>jee kaa chaal thee nazar achay .’
Para jeea> t/a g/ayraa laalchee huaa inhay karay raajaa jee g/aalh b/udhee ar>ab/udhee karay chaa>va>ran jaa d/aar>aa chug/ar>a laai haythhi lahee aayaa ai> hika akhichhimba may> hoo sabhu j/aara may> fhaasee viyaa .
J/aara a>d/ar fhaathalan g/ayran jee rar/orar/ machee vayee.
T/ahi>t/ay g/ayran jay raajaa chayo ,’D/ost/o , asee> sachpach vad*ee museebat/a may> achee viyaa aahiyoo>.. Jaykad*a hi> asee > paar>a khay jaldee na sambhaalee>d/aasee> ai> bhaj/ar>a jo ko upaavu na sochee>d/aasee> , t/a ina may ko shaku naahay , t/a asee> sabhayee maut/a jay moo>ha may> achee vay>d/aasee>. Haar>ay moohi>jee salaah aahay t/a asee> sabhayee j/aara khay pakr/ay hikaee vakt/ mathay ud*aamoo>.’
Pakhiyun ihaa g/aalh maj*ee . Hoo j/aara khay pakr/ay mathay ud*aamee viyaa.
Jad*ahi> shikaareea iho d*ithho , t/a hoo achraj may> paijee viyo , ai> samjha may> na aayus t/a chha kayaa>? Par jald/ ee paar>a sa>mbhaalay unhan jay puthhiyaa> dor/ar> lag/o ai> sochiyaaee> ,’ Hee pakhee ina karay bhaj/ee saghiyaa aahin jo hinan jee paar> may> b/adhee aahay para jad*ahi> hoo haythh laha>d/aa t/a maa> unhan t/ay aaram saa> kaaboo paa ay sagha>d/us.’
Para g/ayraa raft/aar saa> paray ud*aamiya ai> jald/ ee shikaareea jee nazar khaa> paray halee viya
” Poi pahi>jay raajaa khaa> puchhiyaaoo> , ‘ Haar>ay asee> chhaa kariyoo>?’
‘Moohi>jo hiku piyaaro d/ost aahay,’ Raajaa javaab d*ino ,’ Hikr/o koo o jo God/aavaree nad/eea jay kinaaray t/ay rah>d/o aahay . Asee> huna vati hala>d/aasee> . Moo>khay khaat/ree aahay t/a hoo asaa> khay aazaad/ karaair> laai , zaroor ko na ko rasto g/olhay kadhha>d/o.’
So sabhayee unhay t/araf ud*aamiyaa jit/ay koo o raha>d/o huo.
Jad*ahi> koo ay hunan khay paar>a d*aa>h haythhi ud*aama>d/o d*ithho t/a hoo d*akee viyo ai> pahi>jay var/a jay paar/a may> hika b/ir/a a>d/ar bhaj/ee viyo.
Para g/ayran jay Raajaa sad*u karay chayus ,” Moohi>jaa d/ost !Chhaa t/oo> moo>khay natho suj*aar>ee> . B/aahir achu ai> asaa> sabhinee khay aazad/ kar.’
Kooay pahi>jay d/ost/a jo aawaaz suj*aat/o ai> b/aahir aayo.
G/ayran jay Raajaa samooree ga/alh karay b/udhaayas t/a hunan saa> chhaa thee guziriyo ho ai> kooay jald/ee j/aara khay kut/rar> shuroo karay sabhinee khay aazaad/ kayo.
Kaa/ u jayko hinan g/ayran jay puthhiyaa> ud*aam>d/o aayo ho ai> hika vayjhay var>a t/ay vayhee sabh kuchh d*isee rahiyo ho ,t/ahi> hinan jay dost/eea jee saaraah kaee ai> pa>hi>jay a>d/ara may> sochiyaaee> ,”Baraabar ihaa sachee g/aalh aahay t/a vakt/a t/ay kam ee>d/ar ee, sacho d/ost/ hoo>d/o aahay.”
The End
FOLK TALES FROM TALES OF HITOPADESHA IN SINDHI IN PHONETIC ROMAN SCRIPT
NO. 2
B/udhhay Cheet/ay ai> laalchee musaafira jee Aakhaar>ee
Cha>g*o vakt/ ag/a jee g/aalh aahay. Hika jha>gala may> hiku cheet/o raha>d/o ho. Hoo ayt/ro t/a b/udhho thee viyo ho jo shikaar karar>a lai kona vaj*ee sagha>d/o ho. So huna hika t/arkeeba sochee...
B/udhhay Cheet/ay ai> laalchee musaafira jee Aakhaar>ee
Hika d*ee>hu subooha jo huna hika dhha>da may> beehee karay ,pahi>jay hika pa>jay may> hiku pavt/ur kusha ghaah jo pat/o ai> b/iay pa>jay may> sona jo kar/o kha>yo. Ai> vad*ay vaakay chavar>a lag/o “Pyaara musaafiro, vathho heeu sona jo kar/o. Ghurar> shart/ t/avhaa> khay milee vay>d/o.’
Sona jo kar/o d*isee hika la>gha>d/ar musaafira jo manu hirkhijee viyo. Hoo beehee rahiyo ai> sochar>a lag/o “Heea t/a t/amaam kismat/a jee g/aalh nazar thee achay .. . Para jad*ahi> jit/ay jaan jo khat/ro hujay,ut/ay t/amaam sa>mbhala saa> haljay . So maa> sa>mbhaala ka>d/usi .’
Huna masaafira cheet/ay khay chayo “Kithay aahay sona jo kar/o?’
Cheet/ay pa>hi>jo uho pa>jo, jahi> may> sona jo kar/o hosi, mathay khar>ee d*aykhaariyusi. T/a>hi>t/ay musaafira puchhiyus “Maa> t/ot/ay vishvaas keea> kayaa> jad*hi> moo>khay khabara aahay t/a t/oo> insaanan jee jaan vathha>d/o aahee> ?’
“B/udhu musaafira” Chee/tay javaab d*inus “Maa> maj*aa> tho t/a juvaaneea may> moo> ghar>an ee gaa>yun ai> insaanan jo shikaar kayo aahay. Moo>hi>jan kinan karman jay karay moo>hi>jee zaal ai> b/aara bi maree viyaa aahin . Poi maa> hika sadhoo mahaaraaja saa> gad*iyus. Huna moo>khay salaah d*inee t/a t/oo> d/aan dharam kar. Inakaray ee maa> roz subuha jo sanaan paar>ee karay, shayoo> d/aan ka>d/o aahiyaa>. B/iyo t/a maa> haar>ay b/udhho bi thee viyo aahiyaa> ai> moo>hi>jaa d*a>d/a ai> pa>jaa pir> kamzor thee viyaa aahin. So moo> maa> t/okhay kahir/o dapu aahay ?’
Cheet/ay joo> mana hirkhaaee>d/ar g/aalhiyoo> b/udhee musaafir huna jay chakara may> achee viyo ai> dhha>dhha may> ghir/yo para huna jaa payra gapa may> fhasee piya.
Jad*ahi> cheet/ay iho d*ithho , t/a aathat/ d*inaaee>si,’ Ghab/iraai na, maa> t/u>hi>jee mad/ad/a ka>d/usi‘.
Jad*>hi> musaafir kinaaray t/araf chhikijee rahiyo ho t/a huna bad/naseeb vad*o saahu kha>yo ai> sochiyaaee> “ Aah ! Maa> ajaayo hina jee mithhir/iyun g/alhiyun may> phaasee viyus . Bad/maash hamayshaa b/ad/maash ee raha>d/o .Maa> bayvakoof hosi jo moo> hina t/ay vishvaas kayo ai> haar>ay moo>khay unhay laai hisaab d*iyar>o pava>d/o.’
Jald/ee hina cheet/ay musaafira khay maaray khaaee chhad*iyo.
Musaafira khay samjhar> ghurjay haa t/a ka>hi>jo bi subhaau kona matija>d/o aahay
The End
FOLK TALES FROM TALES OF HITOPADESHA IN SINDHI IN PHONETIC ROMAN SCRIPT
NO. 3
Lomar/a, hirar>u ai> kaa>a jee aakhaar>ee
Hika vad*ay jha>gala may> hiku hirar>u ai> hiku kaa>u raha>d/aa hua. B/aee d*aadhhaa gahiraa d/ost/a hua. Hirar>u d/umbo thee viyo huo ai> jha>gala may> binaa kahi> d/uniyaa jee chint/aa jay piyo phira>d/o huo .
Hika dafay hika lomar/a jee nazar huna d/umbay hirar>a t/ay payee.
“Hmm!“, lomar/a chayo ,’Kayd*ee na savaad/ee dish hina jay naram gosht/a maa> moohi>jay laai thhaha>d/ee .. Haar>ay kahi> na kahi> numoonay saa> hunajo vishvaas haasil ka>d/us . .’
Lomar/a inhay g/aalhi t/ay sochiyo ai> hirar>a d*aa>h vadhee vayo .
Lomar/a hirar> khay chayo “Kahir/o haal aahay?”
T/oo> kayru aahee>?” Hirar>a puchhiyus.
“Maa> hiku lomar/ aahiyaa> ai> hina ee jha>gala may> raha>d/o aahiyaa>. Moo>khay ko bi d/ost/ kona aahay. T/okhay gad*jee maa> chaahiyaa> tho t/a t/osaa> d/ostee rakhaa> ai> t/oo> jaykee bi chavad/ay> so t/okhay khush karar> lai ka>d/us .’
“Thheek aahay ,” Hirar>a javaab d*inus.
T/ahi> khaa> poi sija lathay b/aee hirar>a jay ghar gad*jee viyaa .
Hirar>a jo d/ost hiku kaa>u paasay may> hika var> jay taareea t/ay raha>d/o huo.
Jad*ahi> huna lomar/a khay d*ithho t/a hirar>a khaa> puchhiyaaee> ,’D/ost/a !T/osaa> gad/u hee kayru aahay?”
Lomar/a, hirar>u ai> kaa>a jee aakhaar>ee
“Hee hika lomar/ aahay. Hee asaa> saa> d/ost/ee karar> tho chaahay. Inakaray moo> saa> gad*u aayo aahay,” Hirar> javaab d*inus.
“Chhaa t/okhay lag/ay tho t/a ayt/ro jald/ee kahi> saa> d/ost/ee kajay jahi> jay baaray may> t/oo> kucchu natho j/aar>ee>? Kaava> chayo , ‘Ai> nako t/oo> sa>d/asi khaand/aan yaa> sa>d/asi subhav jay baaray may> kuchhu j/aar>ee tho. Ai> t/oo> varee huna khay binaa> kujh iho j/aarar>a jay pa>hi>jay ghar rahar> laai vathhee aayo aahee>?”
‘O kaa>va>!” Lomar/ gusay may> chayo, “Jad*ahi> t/oo> hirar>a saa> pahiriyo> dafo gad*iyo huay> t/a chha t/oo> huna jay yaa> huna jay khaand/aan jay yaa> subhava jay baaray may> kuchhu j/aar>d/o huay>? Poi t/avhee> aj/u ahir/a gahiraa d/ost/a keea> thiyaa aahiyo?”
‘Oh , asaa>khay bahis na karar> ghurjay,” hirar>a chayo.” Acho t/a asee> sabhu paar> may> d/osta thiyoo> . D/osta ai> dushmana jee suj*aar/apa hunan jay halat/i maa> pava>d/ee aahay.”
“Thheek aahay,” Kaa>va chayo,”jeea> t/uhi>jee marzee.”
Ai> poi hoo tayee gad*u rahar> lag/aa....
Ahir/ay numoonay may> vakt/u guzra>d/o rahiyo.
Hika d*ee>hu, lomar/ hirar>a khay hika ku>da may> vathhee viyo ai> chayaaee>s, “Dost/a! Jha>gala jay b/iay jag/ah may>, kar>ka jo khayt/u aahay. Halu t/a t/okhay maa> uho khayt/u d*aykhaariyaa>.”
Lomar>a hirar>a khay paar> saa> gad/u vathhee viyo ai> hunakhay khayt/u d*aykhaariyaaee> .
Roz hira>u unhay khayt/a may> vaj*ar> lag/o ai> paytu bharay khaair> lag/o .
Jad*ahi> khayt/a jay maalika d*ithho t/a koee huna jay khayt/a may> achee khaa ay tho t/a huna j/aaru vichhayo ai> hirar>u huna j*aar may> fhasee viyo .’
“Ar/ay na ! Haar/ay t/a moo>khay kahi> d/ost/a jay mad/ad/ jee zaroorat/ aahay .Hoo zaroor moo>khay hina j/aara maa> aazad/ ka>d/o.,’ hirar>a pahi>jay a>d/ara may> sochiyo .
T/ayt/ray may> loomar/ achee ut/ay pahut/o ai> sochiyaaee> ‘,Hina laai t/a maa> t/arsial hos . .Jad*ahi> khayt/a jo maalik huna khay maaree>d/o t/a hina jo gosht/ moo>khay kayt/raa d*ee>ha hala>d/o .’
Jad*ahi> hirar>a jee lomar/a t/ay nazara payee t/a vaako karay chayaaee>,, “Oh moo>hi>jaa d/ost/ ! Moo>khay mad/ad/ kari! T/o jahir/o d/ost/ ee moo>khay hina g/aree museebat/a maa> kadhhee sagha>d/o!”
“Para d/osta,” lomar/ javaab d*inusi , “Heea j/aar t/a chamar*ay maa> thhahiyala aahay, maa> aj/u huna khay kee>a katay sagha>d/usi , aj/u t/a moo>hi>jay upvaas jo d*ee>hu aahay? Moo>khay galat/ na samjhu! Subhaar>ay subuha jo achee maa> pahiriyo> kamu iho ka>d/us ai> t/okhay chhad*aaee>d/us!”
Siju lathay jad*ahi> hirar>u ghar na motiyo t/a kaa>va khay chint/aa achee lag/ee. Hoo hirar>a khay g/olhee>d/o g/olhee>d/o achee kar>aka jay khayt/a t/ay pahut/o.
Ocht/o kaava> hirar> khay d*ithho.‘Ar/ay d/ost/ hirar>! ?Hee t/okhay chhaa thiyo aahay?,’Kaava> d*aadhhay d/ukha may> chayo .
“Jad*ahi> asee> kahi> sachay d*ost/a jee salaaha kona b/udha>d/aa aahiyoo> t/a iho ee haal thee>d/o aahay,’ Hirar>a rua>d/ay javaab d*inus.
Poi huna kaa>va khay b/udhaayo t/a lomar/a kee>a khaysi khayt/u d*aykhaaray phaasaayo ho.
“Kithay aahay iho kaatkoo?” kaa>va gusay may> chayo.
“Hoo it/ay ee kithay vayjhraaeea may> liko vaythho aahay ai> moo>hi>jay marar>a jo int/izaar karay rahiyo aahay,” hirar> javaab d*inus.
“Moo> t/a t/okhay chayo huo t/a dhaariyan t/ay vishvaas na kaji para t/o dhiyaan kona d*ino,’kaa>va chayo.
Kaa>va d*ukha may> vad*o saahu kha>yo ai> vako karay chayaaee>,’Loomar/a ,Thhag/a!Kaatkoo.T/o heeu chhaa kayo aahay ?Kee>a t/oo> unhay khay d/okho d*ayee saghee> tho jahi> t/o may> eemaan rakhiyo ?
Kaa>va faislo kayo t/a hoo hirar>a khay akaylo na chhad*ee>d/o
Subuha jo khayt/a jo maalik hiku d*a>do hatha may> khar>ee vaapas aayo .
Jad*ahi> kaa>va hunakhay ee>d/o d*ithho t/a hirar> khay chayaaee>,’ Jald/ee jaykee maa> t/okhay chavaa> so kari . Zameena t/ay binaa churar> jay sumhee pau ai> mikhur kari t/a t/oo> mual aahee> .Jad*ahi> maa> kaa> kaa> karay t/okhay ishaaro d/iyaa> t/a yakd/am uthee jaan bachaair> laai bhuj/uji .’
Harar> zameena t/ay binaa> churar>a jay laytee piyo ai> mikhur kayaaee> t/a mual aahiyaa> .
Jad*ahi> khayt/a jo maalik vayjho aayo t/a moohu> khusheea saa> bharjee viyus ai> paar> khay chayaaee> , ‘Ar/ay vaah ! Hee t/a ag/u may>hee maree chuko aahay.’
Poi huna hirar>a khay j/aara maa> kadhhiyo ai> j/aara khay vayr/har> shuroo kayaaee>. Inhay vakt/ kaa>va kaa> kaa> karay hirar>a khay ishaaro d*ino , jayko tipu d*ayee uthiyo ai> jayt/ro jald/ee thee saghiyus ot/ro jald/ee bhaj/ee viyo‘
Khayt/a jo maaliku vaair/o thee viyo ai> yakd/am hirar>a d*aa>h d*a>do uchiliyaee> para nishaan kona lag/usi . Unhay jay bad/raa> d*a>do lomar/a khay lag/o jayko paasay may> liko beethho huo ai> yakd/am maree viyo .
Hirar>u sabak sikhyo t/a khunday d/ost/a khaa> khulial dushman bahit/ar aahay.
The End
FOLK TALES FROM TALES OF HITOPADESHA IN SINDHI IN PHONETIC ROMAN SCRIPT
NO. 4
A>dhee g/ijha, Kuchh Pakhiyun ai> B/ileea jee aakhaar>ee
Hika nad/eea jo kinaaro takr/eea jay laahee t/ay ho..
Una takr/eea jay haythhit/ay hiku var>u huo ai> huna var>a jay khaala may> hika a>dhee ai> b/uddhee g/ijha raha>d/ee hue
Huna var>a t/ay ghar>ayee pakhee raha>d/aa hua ai> mathis rahim karay saa>r>usi khaadho va>dee>d/aa huaa. Mota may> jad*ahi> bi hoo pakhee b/aahir vay>d/a huaa t/a hunan jay b/aaran jee sa>bhaala ka>d/ee huee. ..
Hika d*ee>hu hika b/ilee na>dhhan pakhiyun khay pakr/ar> ai> khaair>a laai huna var>a jay haythha> achee pahut/ee.
Jad*ahi> na>dhhan pakhiyun b/ileea khay ee>d/o d*ithho t/a hunan vaaka karar> shuroo kayaa.
Na>dhhan pakhiyun jo awaaz b/udhee a>dhee g/ijha vako kayo, “Kayru aahay?”
Jad/ahi> b/ileea g/ijha khay d*ithho t/a dij/ee vayee ai> pa>hi>jo par> khay chayaaee> ; “ Ar/ay ! Iay> samjho t/a muhi>jo maut achee pahut/o aahay Para moo>khay bahad/ur thee museebat/a khay moo>hu d*iyar>u khapay .Moo>khay koshish karay hina jo vishwaas jeet/ar> khapay.’
Maa> t/avhaa>saa> ad/aba may> gad*ijar> aayee aahiyaa> , oh siyar>ee hast/ee .’ bileea zor saa> chayo
‘T/oo> kayru aahee> ?’ g/ijha puchhiyus,
Maa> hika na>dhhr/ee b/ilee aahiya>,” huna javaab d*ino.
“Halee vaj*u hit/aa>, nat/a maa> t/okhay khaaee chhad/ee>d/as,” g/ijha vaako karay chayus.
“Muhi>jee Maalik !, Pahiree> mu>hi>jee g/alhi t/a b/udh,” b/ileea chayo, “poi bhalay moo>khay maaray chhad*iji . Par chhaakar> t/a maa> hika b/iay zaat/i jee aahiiyaa> ina karay moo>khay maaree>d/eea> chhaa?’
“Thheek aahay,” g/ijha chayo “Maa> tu>hi>jee g/alhi b/udha>d/asi. Par b/udhai t/a t/oo> hit/ay chho aaee aahee>?”
“Maa> Ga>gaa nadeea jay kinaaray t/ay hit/ay ee rah>d/ee aahiyaa>,” b/ileea chayo.” Maa> maasu kona khaaee>d/ee aahiyaa>. Roz nadeea may> sanaan ka>d/ee aahiyaa>. Maa> pa>hi>jay papan jo praashchit/ karay rahee aahiyaa>. . Jad*ahi> hit/ay pakhiyuni khay hina g/alhi jee khabara payee t/a unhan moo>khay chayo , “T/okhay dharma jay baaray may> gyaan vatthr>o aahay t/a hina b/udhhee g/ijha khaa> sikhu jaykaa ilma ai> siyaar>ap lai mashhoor aahay . “Unhan awha> jee sarah kaee. Inakaray ee maa> hit/ay avhaa>khay ad/ab maa> gad*ijar> aayee aahiyaa> Par hit/ay chhaa thee d/isaa> t/a avhaa> moo>khay maarar> laai t/iyaar aahiyo .. Avhaa>khay moo>khay mehmaanan va>gur izat/a d*iyar>u ghurjay. Avhaa> moo>khay kuchh khaair>a lai na thaa d*ayee sagho t/a ghati may> ghati moo>saa> kujhu mithho t/a g/alhaa ay sagho thaa” Bileea javaab d*ino .
“Para t/oo> t/a maas khaaee>d/ee aahee> ai> hit/ay na>dhhira pakhee rahan thaa .. Poi maa> t/ot/ay keea> vishvaas kayaa>?” b/udhhee ai> a>dhee g/ijha javaab d*inus.
B/ileea pa>hi>jee eemaa>d/aaree d*aykharir>a lai dhart/eea t/ay hathu rakhee pa>hi>jaa kana chhuhiyaa ai> g/ijha khay chayaaee> t/a moo> shaast/ran may > par/ihiyo aahay t/a kahi>jee jaan vathhar> gunaah aahay . Saj/o jha>gal b/ootan ai> bhaaj/iyun saa> bhariyalu aahay t/a poi maa> na>dhhan pakhiyun khay maarar>a jo paap chho pa>hi>jay mathaa> khar>a>d/asi?”
B/ileea ahir/ay numoonay g/ijha jo eemaan khatiyo ai> huna b/ileea khay var>a jay hika khaala may> rahar>a jee ijaazat/a d*inee.
Jeea> d *ee>ha> guzra>d/aa viya, chaalaak b/ilee hiku hiku karay na>dhhr/an pakhiyun khay khaair>u shroo kayo a i> b/udhhee g/ijha khay khabaraee kona payee t/a chha thee rahiyo huo .
Pakhiyun jad*a>hi mahisoos kayo t/a sa>d/>ni b/aara gum thee piay viyaa t/a hunan hinan jay laai g/olhaa karar> shroo kayee ..
B/ileea jad*ahi> d*ithho t/a har>ay khaylu khat/am thee viyo aahay t/a hooa chupchaap hut/aa> bhaj/ee vayee.
Kuchh d*ee>han kha> poi pakhiyun khay var>a khaa> kuchh ee paray na>dhhr/an pakhiyun joo> had*iyoo> ladhiyoo>.
“Alla!” pakhiyun chayo, “Asaa>jaa maasoom ai> pyaaraa b/aar hina ee andhee ai> b/udhhee g/ijha khaadhaa aahin.”
Poi sabhinee pakhiyun gad*ijee huna g/ijha khay maaray chhad*iyo.
B/ileea jay baaray may> ayt/ro ee chaijay t/a “Bad/maash hamaysha bad/maash ee raha>d/o
The End
FOLK TALES FROM TALES OF HITOPADESHA IN SINDHI IN PHONETIC ROMAN SCRIPT
NO. 5
Shaahookaar Koo ay ai> hika saadhooa jee aakhaar>ee
Champaka naalay shahira may> hiku saadhoo raha>d/o huo.
Hoo bikhya pini pa>hi>jo paytu paalee>d/o huo.
Huna khay jayko bi beekha may> mila>d/o ho, una maa> thoro khaaee baakee bachaaay hika ha>deea may> rakhee ,unakhay hika kileea t/ay mathay chhit/i may> latkaaee>d/o huo
Shaahookaar Koo ay ai> hika saadhooa jee aakhaar>ee
Hika koo ay heea g/aalhi jaachee ai> mathay tipu d*ayee huna ha>deea maa> khaadho khaayee chhad*ee>d/o huo
Hika d*ee>hu huna saadhooa jo hiku d/ost/ hun khay gad*ijar> aayo . Saadhooa huna khay manee khair>a jee aachha kaee .
Ai> poi manee khaaee b/aee d/il saa> g/aalihiyoo> karar>a lag/aa.
Para saadhoo pa>hi>jay d/ost/a joo> g/alhiyoon dhyaan saa> kona b/udhee saghiyo. Hoo koo ay khay dej/aair>a lai har ghar/ee hika lakr/eea saa> zameena t/ay thhaki thhaki ka>do rahiyo.
Dost/a iho d*ithho ai> puchhiyaaee>si,“ Too> hee chhaa karay rahiyo aahee>? Too> moo>hi>jee g/alh dhyana saa> chho na tho b/udhee>?”
“Maaf kar d/ost/a!” saadhooa javaab d*ino . “ Iho sabhu hikr/ay kooay jay karay thee rahiyo aahay . Hoo roz moo>hi>jo bachaayalu khaadho khaaee vay>d/o aahay.”
Saadhhooa jay d/ost/a huna handeea d*aa>hu nihariyo ai> chayaaee> , “Hiku na>dhr/o koo o ayd*o mathay keea> tipo d*ayee tho saghay .?? Zaroor ko na ko sabab aihr/ay d*ukhiay kama kara> laai hoo>d/o.’
Saadhooa jay d/ost thoree d/ayr sochiyo, ai> poi chayaaee>‘“Moo>khay lag/ay tho t/a huna koo ay kafee khaadho paaseero gad*u kayo aahay ai> inhay karay huna khay t/akat/a milay thee,t/a hoo hayd*o mathay tipo d*ayee tho saghay.”
Poi hoo b/aee koo ay jay likayala khaadhay khay g/olhir>a lag/aa jayko kooay kithay gad*u karay rakhiyo huo. Jad*ahi> uho likaayala khaadho ladhaaoo> t/a unhay khay khotay khar>ee viyaa ..
Jad*ahi> koo o vaapas aayo ai> likaayal khaadho kona d*itthaaee> t/a huna khay d*aadhho d*ukhu thiyo. Huna jee d/il lahee vayee ayt/ray kad/ur jo hoo churee bi kona thay saghiyo .
Saadhoo khaad/ay jay mathaa> jayko hoo handeea may> bachaaee>d/o huo unhay khay sa>bhaalir>a khaa> aazad/ thee viyo .
Ihaa siyaar>apa jee g/aalh aahay t/a dushmana khay naas kara>a laai huna jay t/aakat/ jee p/ara khay naas kajay .
The End